BA in Graphic Design and Photography. Founding member of MAD, a non-profit association in Barcelona that for nearly 20 years is devoted to the development of European projects related Art, Science and Technology.

In 2007 she co-founded Punto y Raya Festival.

She also curates themed screening programmes for various Spanish institutions.

Screenwriter and researcher. She occasionally delves into making experimental videos and animations, and lectures and writes essays as a film critic. A couple of her short films have been awarded internationally.

Since 2008 she's been a member of the iotaCenter's Advisory Council (Los Angeles, CA) and coordinator of the Spanish speaking community at the Visual Music Village.

She acts as a juror for various international film & animation festivals, and curates special programmes of avantgarde animation.

Holger Lang is an Austrian artist and filmmaker, living and working in Vienna. His artistic focus reaches from abstract and conceptual work to experimental and interdisciplinary projects. Traveling extensively he has been invited to numerous lectures, presentations, conferences and festivals in Europe, the US and Japan.

For over 20 years he's been teaching animation, media arts and aesthetics for an American university at one of their satellite locations in Austria and also their main campus in St.Louis. Holger Lang is organising academic symposia in Vienna and Zagreb and he is curating programs of European and Austrian animation and experimental films for various venues. In addition he is managing and curating an independent gallery in Vienna and for several years he is one of the board members of ASIFA AUSTRIA where he is supporting, promoting and distributing contemporary Austrian animation.

His own artistic output in film, experimental animation and fine arts has been shown in solo and group screenings and exhibitions for more than 25 years. Originally born in Germany he grew up in rural Austria, spent several years in the US and UK and – for now – settled in Vienna.

Martina Tritthart works as an artist and curator at the interface of architecture and visual arts. She studied architecture at the University of Technology Graz. PhD on "Light Spaces - Spatial Models of Perception".

She was assistant professor at the Institute for Spatial design at the TU Graz and in the program “space & designstrategies” at the University of Art and Design Linz, and is currently a lecturer at the University of Applied Science FH Joanneum and the FH Burgenland, where she teaches lighting and media design.

At the faculty of architecture of the TU Graz she conducts workshops, featuring light and spatial perception.

With a background in Fine Arts, Monika has an MA in Cultural Studies from the University of Wroclaw, Poland.

She worked in project development, cultural management, and marketing for various multinational companies. Since 2016, Monika is the project coordinator of the educational department at CeTA (Audiovisual Technology Center) in Wroclaw, organising courses and workshops, and implementing training programmes for professionals in new media and the film industry. She occasionally lectures and contributes papers on various art subjects.

In 2018 Monika Łuszpak-Skiba joined the organisation team of Punto y Raya, coproducing the sixth edition of PyR Festival (CeTA, 2018) and producing and co-directing the second JUNIOR edition one year later, at the same institution.

In 2020 she founded the non-profit association PyR LAB Poland, devoted to the education, preservation and promotion of abstract fine arts, film, and new media, both in Poland and abroad.

Larry Cuba is one of the most important artists in the tradition known variously as abstract, absolute or concrete animation.
While still a graduate student at The California Institute of the Arts, he was convinced of the artistic potential of computer graphics, but this was years before art schools began teaching the subject. So Larry solicited access to the mainframe computers at NASA's Jet Propulsion Lab and taught himself computer animation by producing his first film, "First Fig".
In 1975 John Whitney invited him to be the programmer on one of his films; the result of this collaboration was "Arabesque".
Subsequently, Cuba produced three more computer·animated films: "3/78" [Objects and Transformations], "Two Space", and "Calculated Movements".
As Raphael Bassan wrote in a 1981 issue of La Revue du Cinema, "The computer animation establishes a parallel between visual perception and a structure of linguistic or mathematical order: it is concerned with establishing a new organizational field for the aesthetic material… In the sphere of abstract cinema [lacking a better term], Larry Cuba's research is, in fact, at the origin of a new direction which does not yet have a name…"