Rhythm in Light *

Rhythm in Light *
Mary Ellen Bute
4'00" · video comp. · b&w
1935 | USA
Punto y Raya Festival 2011

Mary Ellen made her own first film, Rhythm in Light, together with Melville Webber, who had collaborated with James Watson on two classic live-action experimental films, The Fall of the House of Usher (1928) and Lot in Sodom (1933). Webber contributed his experience on those films with making models of paper and cardboard and filming them through such things as mirrors and a cut-glass ashtray to get multiple parallel reflections of the shape.

Rhythm in Light uses not only Webber's models, but also cellophane, ping-pong balls, egg beaters, bracelets and sparklers to create abstract light forms and shadows. Many of these images are "out of focus" or filmed reflected on a wall for soft nuance and distortion that conceals the origin of the abstract apparition.

The black and white imagery is tightly synchronized to "Anitra's Dance" from Grieg's music for Peer Gynt.

Mary Ellen Bute
Mary Ellen Bute

1906 | Houston·TX, USA  / +1983

Mary Ellen Bute (November 21, 1906—October 17, 1983) was a pioneer American film animator significant as one of the first female experimental filmmakers. Her specialty was visual music and, while working in New York between 1934 and 1953, made fourteen short, abstract musical films. Many of these were seen in regular movie theaters, such as Radio City Music Hall, usually preceding a prestigious film. Several of her later abstract films were categorized as part of her Seeing Sound series.
A native of Houston, Mary Ellen Bute studied painting in Texas and, subsequently, Philadelphia, then stage lighting at Yale University, focusing her primary interest on the tradition of color organs, as a means of painting with light. She worked with Leon Theremin and Thomas Wilfred and was also influenced by the abstract animated films of Oskar Fischinger.
Bute began her filmmaking career collaborating with Joseph Schillinger on the animation of visuals. Her later films were made in partnership with her cinematographer Ted Nemeth, whom she married in 1940. Her final film, inspired by James Joyce, was Passages from Finnegans Wake, a live-action feature made over a nearly three-year period in 1965-67.
Bute was a founding member of the Women's Independent Film Exchange. She died of heart failure at New York City's Cabrini Medical Center. She was five weeks short of her 77th birthday. Six months earlier, on April 4, she received a special tribute and a retrospective of her films at the Museum of Modern Art.