The film was made utilizing all cameraless and handpainted techniques. All edits were made manually.
The digital capture was done frame by frame with an optical printer set up with a DSLR. No digital editing or color correcting was utilized.
The soundtrack was made using analog synthesizers.
Media artist most interested in experimental audiovisual composition, instruments and interfaces, and gender and race as it relates to our understanding of technology. Her work has been presented at venues such as the ICA Boston, UnionDocs (NYC), The Tank (NYC), Spectrum (NYC), I-Park Foundation (CT), WomanMade Gallery (Chicago), and on festivals/series such as Magic Lantern Cinema (PVD/NYC), OFFoff (Belgium), the Drone Cinema Film Fest (NL), Altered States Film Festival (UK), Opensound (Boston), OPENSIGNAL (Providence), sonic.focus (Brown University), and Non-Event (Boston).
She has released music on Private Chronology and has an upcoming release on Pan Y Rosas. She is a founding member of OPENSIGNAL, a group of artists concerned with the state of gender and race within electronic / computer based art practices. She holds a B.A. from Oberlin College and is currently a doctoral student in the Multimedia and Electronic Music Experiments [ MEME ] program at Brown University.
Lives in USA. +info