A minimalist abstract film, where a red rectangle rhythmically alters its dimensions to music by Eugeniusz Rudnik.
The issue of the relation between sound and image returned frequently in Robakowski's oeuvre, including the films Videosongs (1992) and Videokisses (1992).
1939 | Poznan, Poland> website
A creator of films, photographic series, video tapes, installations, drawings, objects, conceptual projects and initiator of many events, exhibitions and artistic actions. He is also an editor and theoretical critic of present art.
He studied art history in the Department of Fine Arts of the Mikołaj Kopernik University in Toruń, and cinematography at the National Higher School of Film, Television and Theatre (PWSFTviT) in Łódź. In Toruń, he was the founder of artistic collectives Oko (1960), Zero-61 (1961-1969), and Krąg (1965-1967), and member of the 'Pętla' Student Cine Club (1960-1966). In Łódź, he co-organised the Workshop of Film Form (from 1970), and the 'Stacja Ł' Television Creative Group (1991-1992). He teaches at the National Higher School of Film, Television and Theatre in Łódź.
An integral part of Robakowski's work are his statements and self-commentaries, as well as numerous programming texts and manifestoes, e.g. Calling Once Again for 'Pure Film' (1971), Video Art - a Chance to Approach Reality (1976), or Manipulating! (1988). Since the 1960s, Robakowski has remained an active animator of cultural life, as the author of a number of important initiatives (e.g. the Exchange Gallery), organiser and curator of exhibitions, and originator and editor of publications (Nieme Kino, Pst!).
Lives in Poland. +info