The subject is the ambiguity and difference between the original premises of the film. Line and dot as “forms” modify each other, and stretch their flat nature to the limit through movement. The dot and the line constitute both, the forefront shapes and the background surface, one becoming the other from time to time. The soundtrack is linked to the visual movement. Created with a computer using still images designed by the author and animated in FinalCut.
1959 | Zaragoza, Spain> website
María Maynar is a visual artist. She studied Fine Arts at the Sant Jordi University of Fine Arts, Barcelona. She currently paints and creates animations. Her work has been exhibited in various galleries throughout Spain and in Helsingborg (Sweden).
Lives in Spain. +info