NOVEMBER 25th-29th, 2009 Arts Santa Mònica
la Rambla, 7
08001 Barcelona · Spain www.artssantamonica.cat
:: A U D I O V I S U A L
OFFICIAL COMPETITION SECTION
We have received 253 works from over 45 countries during our 2009 call for entries. The following are the selected 76 films that have competed for jury and audience awards.
Curated by the iota Center –a public benefit arts organization devoted to Abstract Cinema and Visual Music. The center preserves classic abstract films, releases DVDs, and produces screenings of contemporary and historical work.
This retrospective section features dot·line classics from the 50’s to the 80’s.
The program will be screened in 16 mm. and introduced by Larry Cuba himself, director of three of the films in the selection, founder of the iota Center and a juror in our official competition.
NIKKA & ALBA G. CORRAL The space in between
Thursday november 26th
21:30 hs.
TEXAS SCI-FI Figures / Frequencies
Friday 27th november
21:30 hs.
ALBERT CALLEJO AMAT_VJ DIMA Lissajous Curves and Synthesis
Saturday 28th november
21:30 hs.
TELENOIKA Telenoika Feedback Experience
Saturday 28th november
22:30 hs.
Telenoika Feedback Experience
[saturday 28th november 21.30 hs.]
Feedback is a hard-to-control live process. It talks about errors, cycles, responses, inputs, outputs and the life emerging from the signals.
It’s a metaphor usually applied to intelligent processes in machines –what’s come to be known as Artificial Intelligence, if there could ever be such a thing. The question triggering the error and its feedback are processes very close to that of human trial-and-error learning. Machines learn and respond.
“Telenoika Feedback Experience” is a get-together of various creators in Telenoika’s audiovisual open community, which will experiment with the responses and errors generated by video-mixers of different generations.
In this abstract live AV session for Punto y Raya Festival, we want to talk about chaotic monitoring processes and the development of human interrelations based on free knowledge circulation and exchange.
Telenoika was created in 2000 as a group of people interested in audiovisual creation, with the desire to share knowledge with their audience and continuously experiment with artistic languages thanks to the availability of new AV home-technologies.
After 8 years of activity, Telenoika has managed to gather a wide community of artists interested in getting-together, self-development and the possibility of conveying their interests to society. In addition, this community interacts with society directly through the collaboration with other associations, institutions, artists and collectives working with new technologies.
Telenoika currently supports emerging artists funding research and artistic productions, as well as providing audiovisual training through various affordable workshops, presentations and courses; video-interventions and building-mapping; and mainly, through a series of sporadic activities, which generate new creative dynamics and bring together the members of the association:
AV Lives: Telenoika gathers a great number of independent AV creators, who develop their activity through live audiovisual performances, such as La Màquina de Turing, Koulomek or Los Subwoofus.
Performance: Development of collaborative projects open to diverse formats such as Stage Arts and Theatre, seeking the hybridization between new ways of AV communication and the legacy of the evolution in cinematographic and theatrical expressions.
Interventions in public spaces: Telenoika’s socially-committed works are also shown in urban interventions and activities devised by associations with different interests and purposes: gender equality, homosexual rights, immigration policies, etc.
The Space in Between emerges in 2009 from the get-together of two disciplines in want of –and in need of- establishing a dialog. Nikka and Alba wander about IDM sound-scapes and abstract visual compositions. They build inner sounds that bring life to colors. They visualize music and sonorize image. They walk through spatial narratives. They feel comfortable among analog machines and aesthetic bits. They want to look beyond their laptops.
Both of them feel committed to boost up audiovisual culture. They want to take electronic music outside the clubs and visuals, beyond the “loop realm”. Their live performance is based on sensory emotions about form and expression; on abstract generative art and on melancholic sounds with a strong character. The stage is of vital importance to them; due to their particular aesthetic sense, they feel comfortable performing in convents, churches, art galleries and auditoriums. One of their main objects is to take their audience through an audiovisual experiment created with machines that convey emotion.
Concerts:
· Femelek 2008 (Barcelona)
· Miscelanea March 2009 (Barcelona)
· Sonar June 2009 (Barcelona)
· Punto y Raya Festival 2009 (Barcelona)
· Art Futura 2009 (Barcelona)
Nikka teaches Dj-ing and musical production. Alba G. Corral teaches visual programming. They met in 2006 at Niu (Contemporary Art Venue in Barcelona) and started collaborating in various projects around Condal City; but it was in 2009 when they created a common space where they feel comfortable working hand in hand. To them, Study is one of the ways; they believe that with the emergence of new development fields, it’s important for people to understand and have access to the study of current artistic expressions.
They took part in the design of Random Lela Art’s main titles, adocumentary on female Vj’s and Dj’s in Barcelona (to be released soon). They also created the piece Gold Thinkings, selected for the 2009 PyR Official Competition.
Figures / Frequencies is an AV electronic exercise based on great minimalistic works created between the decades of the 1950’s and 1970’s. The pyrformers composed an audiovisual structure for each piece.
Analog frequencies, digital errors, static, pulses and rhythms in synch with cool cgi imagery, geometric shapes and lines and dots shifting in space. Texas Sci-Fi explores each of the classic works using different tools which, perhaps, the original author would have never thought of...
Track list:
1. Tiled Arc (Richard Serra)
2. Cloud (Robert Morris)
3. Three squares within a triangle (Robert Morris)
4. Hzrl1 (Sol Lewitt)
5. Aluminum-zinc dipole e/w (Carl Andre)
6. The diagonal of may 25 (Dan Flavin)
7. Die fahne hoch (Frank Stella)
8. Cube Nº2 (Larry Bell)
9. Steel-magnesium plain (Carl Andre)
10. Endless column (Constantin Brandcusi)
11. Distorted Squire/Circle (Robert Mangold)
12. Open Cube (Sol Lewitt)
13. Blue box (Stephen Antonakos)
14. Modular cube/base (Sol Lewitt)
Texas Sci-fi was created in 2008 as the result of the reunion of former Power Pop’s members Juanjo Fernández_Gnomalab and Miki Martínez_Anorak, together with his brother Rafa Martinez_Geistform.
Each of the members has his own personal projects with several albums published, but under “Texas Sci-Fi” they join forces to create an audiovisual set of minimalistic accuracy and power.
Their live visuals with analog “real” synthesizers (Moog, Korg Ms20) and various retro devices input a direct signal in realtime imagery creation. Dance minimalism with a pinch of experimental (and impossible) frequencies. Impeccable AV synch.
Scientific studies of complex systems show that all networks - from epidemics to the electric power grid, from the cell to the Internet - share similar properties, regardless of their origins. That is, what is relevant to understand their global organization is not the specific details of "nodes and links" but how these elements are interconnected and assembled to form the complex network. Here, visualization is an indispensable tool that provides deep insights into the structure and the evolutionary and creative processes generating complexity.
Sergi Valverde is a computer scientist with a PhD in Applied Physics by the Polytechnical University of Catalonia (UPC). He’s specialized in evolution and dynamics of Information Networks.
Lissajous Curves and Synthesis
[saturday 28th november 21.30 hs.]
The author shows the universe of sound waves through a setup based on a synthesizer and an oscilloscope in X-Y format. Starting from Lissajous shapes and with ever increasing complexity, the performance explores the synaesthesia in an abstract realm created by the sounds and their figures.
This Audiovisual Concert is divided into three parts:
1. Screening of a short film with the author’s theoretical explanation about the project, its mechanical aspects and other related concepts.
2. Improvisation suite, where the performer experiments with synthesis parameters, sound frequencies and textures in a linear way with fluid changes. Pure Intervals with sine waves, some melodic lines, some more abstract, always looking for interesting stimuli or figures.
3. Rhythmic and melodic music using several sound layers, loops, breaks and sequenced parts. The performer improvises on the sound and shape parameters.
Since 1998, Albert Callejo Amat_Vj Dima has been performing as a VJ in Barcelonan clubs and festivals, as well as in other cities in Spain, Italy and France.
He’s a member of the Barcelona-based collective Telenoika, where he takes part in various AV Jam sessions and other events.
Under the alias Dima-AV he creates AudioVisual concerts based on his own electronic music compositions and synthetic 3D imagery.
He’s currently focussed on his project “Lissajous Curves and Synthesis (see the sound…)”, where the music is composed as a direct response to the imagery created by an oscilloscope; in this case, he uses very simple elements that bring him closer to what he considers “pure audiovisual”.
Addressed to school children, this open workshop proposes the realization of one or various collective micro·films emulating the technique "direct·on·film animation" that was popularized in the mid·fifties by artists like Norman Mclaren, Len Lye or Stan Brakhage.
This technique requires 16 or 35mm film·strips which, once manipulated, can be edited and screened in situ. Due to the high costs of 35mm film and its projection technicalities, we will use paper strips instead.
Firstly, we’ll draw on cash register paper rolls -as if they were film strips- with markers, paint rollers and/or stamps. We’ll focus on the lengthwise treatment of the drawing, and not so much on the crosswise (frame-to-frame) treatment.
We’ll draw perpendicular lines to demarcate the frames. We’ll then scan or take pictures of these frames, which will be edited and finally, screened. The result will be an abstract free-style collective film playing with dots and lines in constant motion, expansion and transformation.
The workshop will be held in two four-hour sessions on Thursday 26th and Friday 27th of November 2009, from 11.00 AM to 3.00 PM.
: working material
matte paper rolls, markers, colored pens, acrylic paint, anilines, thin pencils, coloured ink, rulers, striker pins, magnifying glass, stickers, finger paints, gouache paint, paint rollers, foam balls, erasers, porex, sponges [to be used as rubber stamps] and some digital cameras.
Escola Els Xiprers
November 26th, 2009 · Barcelona
Escola Mestre Morera
November 27th, 2009 · Barcelona
EXPERIMENTAL DOT&LINE WORKSHOP
[28th and 29th of November 2009]
Addressed mainly to adults, this open workshop proposes to start out from the WHAT to reach the HOW. That is, contrary to most workshops –which focus on teaching how to use certain tools or techniques- the main issue here is our original concept (the story we want to tell with dots and lines). We’ll then think of the most appropriate tool to realize it.
This workshop call for participation, invites people to bring their own tools for the realization of a dotline short film. Firstly, we’ll do several analog and digital exercises to explore our capability of abstraction; then, we’ll talk about what "dot" and "line" mean for the workshop teachers (we’ll screen our own dotline material...), we’ll throw some starting points and ideas and then, we’ll get down to work! Attendants can use the tools they already had in mind or get acquainted with other tools brought by the teachers or other attendants. Ink on toilet paper, code programming, crayons and markers, colored lights, custom software... all tools and techniques are welcome :)
This workshop will be held in two four-hour sessions on Saturday 28th and Sunday 29th of November 2009, from 11.00 AM to 3.00 PM.
"L’Orquestra dels Luthiers Drapaires"
The instruments of “L’Orquestra dels Luthiers Drapaires” are the result of combining recycling processes with the reutilization of technological waste. After collecting the devises and various materials from the streets, garbage dumps and containers, we extract all the electronic, mechanical and constructive components that may be used for the building of audiovisual instruments. Then, we start prototyping the circuits, devising the mechanical systems and programming the digital control systems.
Telenoika believes that it isn’t necessary to follow the market’s dynamics to gain access to audiovisual instruments, and that the waste generated by humans provides with enough raw material for the construction of sophisticated machines. The “Open hardware / Arduino” online social net offers wide access to the necessary knowledge for transforming this apparent waste into usable hardware, increasing the number of people who subscribe to the DIY and recycling philosophies.
For Punto y Raya Festival, the Luthiers Drapaires have created an installation with old VGA monitors with modified tubes, which generate abstract colored patterns according to several ambient variables.
Telenoika was created in 2000 as a group of people interested in audiovisual creation, with the desire to share knowledge with their audience and continuously experiment with artistic languages thanks to the availability of new AV home-technologies.
Endless lights, shadows, shapes and textures transform the milieu into an infinite fabric.
A repeating Matrix weaves nets as if they were second skins, thus giving way to creation... The life we lead relates us to our surroundings in a visual way. This "era of (in)communication" forces us to assimilate concepts more quickly, leaving aside the "small things" and the experiences around them. This is why through my work I invite the audience to reflection...
The pieces exhibited in this installation refer to the economy of resources, the revindication of the use of the hands and their muscles, and the quest for the voice and weight of the materials.
NOTE: The collection created by designers FINK-GARCIA was exhibited at: Salón NUDE-FIM Valencia'07, CAD'07 BCN, Expo Withe Milan'08, NITS del MACBA BCN'08.
Anita García has a multidisciplinary formation ranging between Arts and Design, as well as a wide experience as an Interior Designer, Creative, Illustrator and Photographer. She gives various workshops on Recycling and Design.
Students from the Fashion Department at the Istituto Europeo di Design in Barcelona, will take part in Punto y Raya Festival’s second edition with the installation/exhibition/performance of various of the resulting works from the workshops carried out this October at the IED.
Inspired by the basic notions of “dot” and “line”, the students had the chance to explore new creative forms in all the spheres of Design, so they had to elude the typical rules of the Fashion industry in order to approach a completely abstract concept.
The explored themes were:
Form: proposals for visual representations of dots and lines: maps, cities, bodies. Screenings and forum.
Movement: the movement as the basis of audiovisual expression. From 2d to 3d creation. Screenings and forum.
Form-Movement duality: the relation between form and movement in the space of representation.
The Istituto Europeo di Design in Barcelona offers formation and research capabilities in the spheres of Design, Fashion, Visual Arts and Communication. The school is part of an international network based in Italy, Brazil and Spain, which supports practical and didactic initiatives related to Business practices through projects’ development and an I+ED department (Research + Education; in Spanish, Investigación + EDucación).
The snow begins to fall, all the shapes in front of me start shifting through thousands of white points floating in the air...
When I awake, only the no-signal noise on the TV set opposite my couch.
MATERIALS
Calico Fabric
White Jersey
Black and white Tulle
Threads
Plastic Bowls
Glue
Fans
Batteries
Newspaper
Metal Wires
“Trapped in the Zodiac”by Dalila Alejandra Cuéllar Cerdà
This project is a tribute to the moon, whom I've dedicated long hours of observation.
For spreading light on my darkest moments, for helping me find answers and calming my most furious restlessness.
Whom has given me happiness and peace.
A magical dot in the atmosphere.
MATERIALS
Calico Fabric
White Jersey
Metal wires
Elastic threads
Black canvas
Wall paint
“The Sping Bang”by Laura García Domínguez, Alba Gracia Neddermann, Marilia Lima Herrmann, Marian Lozano Rincón and Mariana Vásquez Villareal
The Sping Bang’s concept is based on the Big Bang theory, the origin of the Universe. Through many years it’s been stated that the Universe emerged from a single particle concentrating all the energy. In the same manner, the thread is the designer’s main “particle”, from which he/she develops all his/her creations.
“The Sping Bang” is based on threads and pins, of vital importance in the Fashion realm. We compared the thread to a line, which following a path through the pins (or dots) was taking the shape of a body, just like a designer drapes on a mannequin.
MATERIALS
Black thread
Glue
White Jersey
Needles & pins
Metal wires
A garment rack
“A soul inside a coat”by Noa Goren
This project started from my curiosity to find out what can happen when, instead of adding lines, you take them away.
From trying to take a whole existing object, and making lines disappear out of it.
For me it was really interesting to see how, when removing parts from the material, the object changes its character and starts becoming something else.
Suddenly, the brown coat seems like a dry leaf, and the black one, a black leopard skin.
And through the cuts you can see the inside, the inner parts of the garment, the seams, the lining... and also the light existing within.
My message is one of looking: looking inside, at whom is inside the clothes, at what lies under all the layers.
MATERIALS
2 used coats
Glue
Metal wires
Scissors
Enterlining
“Wax&Fabric”by Anna Evers and Elena Calvo
The authors have created this garment to depict the feeling suggested by the concept of "Punto y Raya Festival". They have chosen Fire as the main element, as it is a clear example of what is immaterial, but constitutes matter.
Fire is also the creative engine of this art piece: it melts the candles, and the dripping wax produces the drawings and textures on the white fabric in its path. This path begins with a drop, which reminds us of the dot, and drips down on the garment following a linear path. These interrelated stripes and spots show us that there's neither beginning nor end, only evolution.
“The cult of perfection”by Ingrid Gomá Knorn, Reyes Milla Armengou & Rosa Geraldine García
This project represents in a physic way, the pressure of our society towards the cult of the body and the search of perfection.
The pins try to capture this social pressure clearly, a preassure which affects and slowly destroys our inner-self without us even noticing. Apparently, the body is beautiful and pure, yet our soul is black.
The light bulb symbolizes the essence of the person (the soul). It’s represented by a dot (the light bulb) and several lines (the pins); because the dot and the line are the base of everything.
We wanted to draw a parallel with the soul, which is the essence of a person. Each time we stress the exterior leaving our essence behind, letting it “melt away” (represented by the melting wax).
Finally, the broken mirror –associated with Vanity- visually distorts the whole piece emphasizing the notion of a broken soul.
MATERIALS
Plaster Cast
Glue
Wax
Needles & Pins
Black paint
Broken mirror
Black paper
1 lightbulb